ARRI
ARRIFLEX SR3 Advanced S16
£400
/ day ex VAT
Coverage
S16
Max resolution
Super 16 film
Max frame rate
75fps
Mount
PL
Recording media
16mm film
The ARRIFLEX SR3 Advanced is a 16mm film camera for Super 16 shooting, known for quiet running and a comfortable shape on the shoulder. It suits indie films, documentaries, music videos and anyone after a real film look.
The SR3 has crystal sync speeds from 5 to 75fps, so it handles normal sync sound shooting as well as slow motion and time-lapse. Its quiet operation makes it a good choice for dialogue scenes. The ergonomic body works handheld, on a tripod or on a Steadicam.
Film loads in 400ft magazines. Our kit includes a Kinotech HD-IVS MK3 video tap, which gives a clean HD monitoring image for the camera team and director, and a Tiffen 4x4 85 correction filter as standard. The video tap means film shoots can still run a modern monitoring workflow, with the image reviewed live while the negative records.
ARRIFLEX SR3 Camera
ARRIFLEX SR3 Advanced Camera Body
ARRIFLEX SR3 Optical Viewfinder
ARRI FE-4 Viewfinder Extension
ARRI EL-3 Eyepiece Leveller
ARRI SR3 Standard Eyecup
ARRI HE-3 Heated Eyecup
Kinotech HD-IVS MK3 Video Tap
ARRI R/S Splitter Box
Elokuvakonepaja 12v Battery Plate
Ratworks SR3 Sideplate
Ratworks SR3 Top Handle
Ratworks 19mm 3.5in Cube Bar
Ratworks 19mm Screw in Bar - 4.5in
Ratworks 19mm Screw in Bar - 2.5in
Ratworks 19mm Screw in Bar - 1.5in
ARRI BP-6 Base Plate
ARRI RS-16 SR3 3-Pin to 3-Pin Cable
ARRI KC-27-SPS 2-Pin to 4-Pin Cable
2× 19mm Support Rod - 9"
ARRI Bottom Dovetail Plate 300mm/12in
ARRIFLEX SR3 Magazines
3× ARRIFLEX SR3 400ft Magazine
3× ARRIFLEX Film Core Adapter
3× ARRIFLEX Collapsible Film Core
2× ARRIFLEX SR3 Magazine Dust Cap
Film format
Camera type | 16mm film camera, sync sound, shoulder or studio |
Formats | Super 16 and Normal 16; the universal film gate converts without a new gate |
Super 16 image area | 12.52 × 7.41 mm |
Normal 16 image area | 10.26 × 7.49 mm |
Ground glass | Interchangeable fibre-optic screens for all common format markings |
Speeds and shutter
Filming speeds | 5 to 75 fps, crystal accurate to 0.001 fps (high-speed SR3 models: 10 to 150 fps) |
Shutter | Mirror shutter, adjustable with the camera off; locked positions at 180°, 172.8°, 144°, 135° and 90°, shown on the camera display |
Timecode | 80-bit SMPTE timecode, recorded from the magazine (SMPTE RP 114) |
Noise level | 20 dB(A) ± 2 dB(A) |
Lens mount
Mount | 54 mm PL mount, offset so the lens centres on the Super 16 or Normal 16 image |
Exposure meter | Through-the-lens silicon meter, 16 to 1000 ASA, ± 2 stops shown in the viewfinder |
Viewfinder
Viewfinder | Optical reflex viewfinder with ARRIGLOW illuminated frame lines, 10× magnification (10× / 17× with the viewfinder extension) |
Movement | Pivots 190° across the camera (120° with video assist), rotates 360°, automatic upright image |
Warnings in the finder | Off-speed, film end, low battery |
Video assist | HD video tap: Kinotech HD-IVS MK3 in FOMO's kit |
Magazines
Magazines | 400 ft coaxial, mechanically linked to the camera, with timecode recording module |
Run time at 24 fps | About 11 minutes per 400 ft roll |
Power
Power supply | 24 V DC |
Operating temperature | -20 °C to +50 °C |
Body
Dimensions | 264 × 172 × 195 mm (L × W × H, viewfinder horizontal); 264 × 100 × 298 mm (viewfinder vertical) |
Weight | Approx. 7 kg / 15.4 lbs with a loaded 400 ft magazine and on-board battery |
Notes
Figures from ARRI's ARRIFLEX 16 SR3 data sheet; the SR3 Advanced shares them. FOMO's kit (Rentman #7032) is the standard-speed camera with three 400 ft magazines, the FE-4 viewfinder extension, a heated eyecup, a Kinotech HD-IVS MK3 video tap and Ratworks top handle and side plate.
Contact
1 Shacklewell St, London E2 7EG
Delivery across the UK
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